Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here:

Book Review – The Ruthless by Peter Newman – fantasy – highly recommended

Here’s the blurb;

Return to a world of crystal armour, savage wilderness, and corrupt dynasties in book two of The Deathless series from Gemmell award-winning author Peter Newman.

THE REBEL
For years, Vasin Sapphire has been waiting for the perfect opportunity to strike. Now, as other Deathless families come under constant assault from the monsters that roam the Wild, that time has come.

THE RUTHLESS
In the floating castle of Rochant Sapphire, loyal subjects await the ceremony to return their ruler to his rightful place. But the child raised to give up his body to Lord Rochant is no ordinary servant. Strange and savage, he will stop at nothing to escape his gilded prison.

AND THE RETURNED…
Far below, another child yearns to see the human world. Raised by a creature of the Wild, he knows their secrets better than any other. As he enters into the struggle between the Deathless houses, he may be the key to protecting their power or destroying it completely.

THE WILD HAS BEGUN TO RISE.

The Ruthless by Peter Newman is a fantastic ‘Part 2’ of what will be a trilogy, charting The Deathless. The action picks up exactly where it left off, although sixteen years have passed, allowing the babies of the book to be all grown up and therefore more involved in what’s happening.

The likeable characters of Book 1 are there, Sa-at, Pari, Vasin, Chandi as well as a few that we didn’t like so much. The world created by Newman continues to be vivid and downright ‘weird’ and there were a few times when I felt a little ‘itchy’ so good were the descriptions of The Wild! All of the characters are set on paths that will see them coming into contact at one point or another, and the end is entirely satisfying, leaving me with many questions still to be answered, and a fear that something really BAD is going to happen in the concluding book of the trilogy. I read this book in just over 24 hours. It’s entirely absorbing, wonderful ‘weird’ and incredibly rewarding. Newman uses words to great effect and I just ‘got’ exactly what he was trying to portray. I really can’t recommend it enough.

Thank you to Netgalley for the review copy. I will be ‘singing’ about this series whenever I get the opportunity

The Ruthless is available from 30th April 2020 in paperback. I highly recommend it!

The Last King – New Release Alert

With my new ‘hero’ I’ve decided to forge a different path to previous books. I’ve done bloody and sweary before (Pagan Warrior and The Lady of Mercia’s Daughter) and I’ve done battles and politics (Brunanburh) but for The Last King I wanted something different; full-on action and adventure, in a historical setting, with a hero it’s impossible not to admire. If I’m going to tell the story of the ninth century in England, a period that most historical fiction readers will associate with Bernard Cornwell’s Uhtred, and most historians with Alfred, I needed a strong storyline and a character worthy of that storyline.

Luckily, there’s one such man. Enter King Coelwulf, the almost unknown and completely forgotten about King of Mercia. When I say unknown and forgotten about I mean completely that. If it is indeed the same historical character, Bernard Cornwell has poor old Coelwulf die during a feast with King Alfred and his wife, paving the way for Lord Æthelred (at least he does in The Last Kingdom).

This isn’t actually Bernard Cornwell’s fault. Until the coin find in 2015, no one thought a great deal of Coelwulf. His name appears in the Anglo-Saxon Chronicle but it’s far from in a complimentary way (For details of the coin find go here (The Ashmolean Museum – Watlington Hoard)). But he’s been in my thoughts ever since I wrote The Lady of Mercia’s Daughter in 2016, but he’d never fully formed, until, one day, he just did; not just bloody and sweary, but bloody, sweary and brutal, a man with skills to be admired, and a single-minded determination.

So, I give you Lord Coelwulf, proud Mercian and staunch warrior.

The Last King is available now, the sequel, The Last Warrior will be available from June.

 

Book Review – The Girl and the Stars by Mark Lawrence – fantasy

Here’s the blurb;

“Only when it’s darkest can you see the stars.

East of the Black Rock, out on the ice, lies a hole down which broken children are thrown

On the vastness of the ice there is no room for individuals. No one survives alone.
To resist the cold, to endure the months of night when even the air itself begins to freeze, requires a special breed. Variation is dangerous, difference is fatal. And Yaz is different.

Torn from her family, from the boy she thought she would spend her life with, Yaz has to carve a new path for herself in a world whose existence she never suspected. A world full of danger.

Beneath the ice, Yaz will learn that Abeth is older and stranger than she had ever imagined.
She will learn that her weaknesses are another kind of strength. And she will learn to challenge the cruel arithmetic of survival that has always governed her people.

Only when it’s darkest can you see the stars.”

The Girl and the Stars is set on the same world as The Book of the Ancestor, and I’m aware that there are many more stories that need to be told to fully understand Abeth. Not that new readers can’t pick up from here. There is no need to have read The Books of the Ancestors.

I’ve heard a great deal about The Girl and the Stars on twitter and I was looking forward to reading it. The story starts strongly and Yaz is an enjoyable character to read about. The set up of the story is intriguing and not at all where I expected it to go. Foolishly, I thought I knew where Lawrence was going with this new trilogy. There are many fascinating elements and I was really enjoying exploring the landscape of ‘the stars,’

Lawrence titillates with fragments of what’s actually happening and what’s happened in the past (he’s a bit good at this) but I found I wanted to know more about that, and less about Yaz and her group of friends. And by the time I was a decent distance into the book, I was beginning to suffer from the same sensory deprivation as the characters. This probably isn’t a good thing. My enjoyment of the story did drop away – the relentless pacing couldn’t quite make up for my lessening enjoyment, and while the ending is bloody stunning, I can’t help but think it could have been reached at least a hundred pages earlier!

I’m still very much looking forward to reading all the books in this new trilogy, but hopefully, they won’t share the same setting!

Thank you to Netgalley and the publisher for my review copy.

The Girl and the Stars is available in ebook now and hardback from next week. You can snap up a copy from here:

Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here: (the preorder is currently only £2.99 for kindle – wowsers – so I’m posting this before release date for everyone to take advantage of the offer)

Book Review – Murder at the Mena House by Erica Ruth Neubauer – historical murder mystery

Here’s the blurb:

Well-heeled travelers from around the world flock to the Mena House Hotel—an exotic gem in the heart of Cairo where cocktails flow, adventure dispels the aftershocks of World War I, and deadly dangers wait in the shadows . . .
 
Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won’t be swept off her feet on a trip abroad. Despite her Aunt Millie’s best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane’s plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can’t quite figure out . . .

While the Mena House has its share of charming guests, Anna Stainton isn’t one of them. The beautiful socialite makes it clear that she won’t share the spotlight with anyone—especially Jane. But Jane soon becomes the center of attention when she’s the one standing over her unintentional rival’s dead body.

Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie’s unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?

I do love a 1920’s murder mystery, and Murder at the Mena House is set in Egypt no less. It has a very Agatha Christie vibe about it, although our main character is far from as fastidious as Poirot and benefits from an intriguing back story.

The mystery unravels quickly and well, and there are more than enough suspects to keep the reader guessing as to what’s really happening.

An enjoyable read and I look forward to reading the next book in the series.
Thank you to Netgalley and the publisher for my review copy.

Murder at the Mena House is available now from here:

 

Book Review – The Body in the Garden by Katharine Schellman – historical fiction

Here’s the blurb;

“London 1815. Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She’s no stranger to the glittering world of London’s upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn’t expect is the dead body in Lady Walter’s garden.

Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she’s willing to leave the matter to the local constables–until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she’s the only one with the key to catching the killer.

Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend’s husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London’s social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer’s next target.”

The Body in the Garden is a fun and interesting read. While firmly grounded in the society of the day, it doesn’t labour points, as some authors might do, but rather absorbs everything as part of the space the characters are occupying.

I’m currently watching the TV adaptation of Sanditon and The Body in the Garden easily feels as though it follows many of the conventions well known from a Jane Austen book. If there is too much emphasis on the purchase of gloves and hats, then that was only what well-bred ladies would have been worried about!

The mystery is well put together, and there are any number of potential suspects along the way, which makes the story move along at a fine old pace, and not without some peril for the main character.

A thoroughly enjoyable read. I hope there are more mysteries for Lady Adler, and her ‘roguish’ captain to solve.

Thank you to Netgalley and the publisher for my review copy, and good luck with the release.

The Body in the Guard is released on 7th April and is available from here: