Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here:

The Last King – New Release Alert

With my new ‘hero’ I’ve decided to forge a different path to previous books. I’ve done bloody and sweary before (Pagan Warrior and The Lady of Mercia’s Daughter) and I’ve done battles and politics (Brunanburh) but for The Last King I wanted something different; full-on action and adventure, in a historical setting, with a hero it’s impossible not to admire. If I’m going to tell the story of the ninth century in England, a period that most historical fiction readers will associate with Bernard Cornwell’s Uhtred, and most historians with Alfred, I needed a strong storyline and a character worthy of that storyline.

Luckily, there’s one such man. Enter King Coelwulf, the almost unknown and completely forgotten about King of Mercia. When I say unknown and forgotten about I mean completely that. If it is indeed the same historical character, Bernard Cornwell has poor old Coelwulf die during a feast with King Alfred and his wife, paving the way for Lord Æthelred (at least he does in The Last Kingdom).

This isn’t actually Bernard Cornwell’s fault. Until the coin find in 2015, no one thought a great deal of Coelwulf. His name appears in the Anglo-Saxon Chronicle but it’s far from in a complimentary way (For details of the coin find go here (The Ashmolean Museum – Watlington Hoard)). But he’s been in my thoughts ever since I wrote The Lady of Mercia’s Daughter in 2016, but he’d never fully formed, until, one day, he just did; not just bloody and sweary, but bloody, sweary and brutal, a man with skills to be admired, and a single-minded determination.

So, I give you Lord Coelwulf, proud Mercian and staunch warrior.

The Last King is available now, the sequel, The Last Warrior will be available from June.

 

Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here: (the preorder is currently only £2.99 for kindle – wowsers – so I’m posting this before release date for everyone to take advantage of the offer)

‘The Reading’ End of Year Review

I’ve read many, many books this year. Some have been fab, some not so fab, and some have just filled a little niche that needed filling. I’ve also written, read and re-read a fair few of my own books this year. But I’m not going to include those in this.

When I look back, I see I’ve read many historical fiction books this year – the majority just historical fiction, but also a few that were historical who-dun-its. I’m a fan of Marple and Poirot, so this does make sense to me.

In fact, 24 of the 71 books I’ve read this year (thank you for keeping track Goodreads), have been historical (and a further 6 of those have been my own historical fiction books, so yes, historical fiction accounts for a great deal of my reading.)

Of those, here are my five favourites of the year. I’m not going to put them in any order, because I enjoyed them all for different reasons.

Anne O’Brien’s A Tapestry of Treason was one of the first books I read this year, and it was a wonderful read. Commodus by Simon Turney was another of the stand out books, as was The Last of the Romans by Derek Birks (which I’ve just discovered I didn’t review on my blog, so there’s a link to Goodreads), Sword of Kings by Bernard Cornwell and Wolf of Wessex by Matthew Harffy. I was lucky enough to get review copies of many of these books, although I took a chance on The Last of the Romans through Kindle Unlimited and was really pleased I did.

I also read some historical fiction that really didn’t appeal to me, in the end. I prefer historical fiction to be about ‘real’ people (I know their stories will be fictionalized) and told in an engaging and interesting way.

As to the historical mysteries I read, I’m going to highlight Silent Water by PK Adams, a fellow indie author, who takes the reader to Tudor Era Poland. It was fascinating.

As to those novels I read which took a historical era as their background, I thoroughly enjoyed The Dark Days Deceit by Alison Goodman – a sort of fantasy/historical mash-up that concluded the trilogy in a completely satisfactory way.  And The Body in the Garden by Katharine Schellman which isn’t released until next year, but which is an enjoyable who-dun-it. I’ll review it closer to the time.

I also read quite a bit of sci-fi this year, and here the standout book must be Skyward by Brandon Sanderson. I didn’t realise it was aimed at a Young Adult audience. I devoured it, even though I’ve tried Brandon Sanderon before and really didn’t enjoy his story (ducks for cover). I’m really looking forward to finding the time to read Book 2.

I’ve not read as much fantasy as normal this year. But, what I did read was well worth it. Here, I’m going to wax lyrical about Peter Newman. His series, The Deathless, inhabits such a weird and wonderful world that it completely absorbs me. If you’ve not read the first two books in the trilogy, then you’re in for a real treat. The Ruthless was released earlier this year, and I know the third part is due out next year. I’m keen to read it.

I also read all of Mark Lawrence’s four releases this year – Holy Sister concluded the Book of the Ancestor trilogy, and he also released The Impossible Times trilogy, through Amazon Publishing. These are probably still fantasy but in a 1980’s setting (unless they’re sci-fi). I enjoyed them all, but confess, the D and D setting of The Impossible Times trilogy was a bit trying at times. Still, the 1980s was perfectly encapsulated – like an episode of Stranger Things.

I’m also going to mention the John Gwynne book I read this year – A Time of Blood. Foolishly, it wasn’t the first in a series, but goodness me, it was gripping, and I’ve now got the first book to read!

I’ve also listened to my first audiobook, and while I found it great to walk to, I confess, I’m not sure audio is for me. If I’m writing myself I have music on, and because I normally walk to get away from writing, I don’t find listening to stories to be restful. But I do have a fully stocked Audible library so that might change.

While I’ve managed to read a great many books this year, I’ve now found my enthusiasm for ‘new’ waning a little and I’ve sought refuge in a few classic PERN novels, and for 2020, I plan on indulging in the Deverry books by Katharine Kerr in anticipation of the new book coming out in 2020. The books have all been released with fantastic new covers, and I might just have to treat myself to them all over again.

I’ve also not read as many non-fiction books this year as I might normally do. But I think that will change in 2020. I’ve got a great deal of research to do for future projects. Of those non-fiction books I have read, they’ve all been something I was interested in any way, and I’m going to mention Warrior and The Lost Heirs of the Medieval Crown. Both were very readable and well written.

I would like to thank Netgalley and also some very brave authors who’ve allowed me access to Advanced copies of their books throughout the year. It makes for much more varied reading!

 

‘My Writing’ End of Year Review 2019

Well, it’s been a busy year but I want to start by thanking all of my readers for continuing to read the books I write, for writing reviews and for interacting with me over on Twitter and via email. I really couldn’t do it without you!

And so to this year.

Well, it’s been a year of two halves. The beginning of 2019 saw me experimenting with a couple of fantasy books, The Innkeeper being released under a slightly different name, and the other secret project under an entirely new name.

I was also really slow to release anything new in the historical fiction genre. There was a good reason for this – I was crossing the timeline of two earlier books and I wanted to make sure the transition was smoother than I knew it was. So, the first two Earls of Mercia books have been comprehensively edited, fiddled with and generally made as good as I can make them without a complete rewrite. The Earl of Mercia’s Father and The Danish King’s Enemy are available in paperback. It’s to be hoped that these new editions will be available in ebook soon as well.

I needed to do this to continue the story of Lady Elfrida, first told in The First Queen of England trilogy, and continuing in The King’s Mother books. When I first wrote about Leofwine and Leofric, I had no idea that I would find myself writing about King Æthelred’s mother. It was fascinating to write the story of the late tenth century and early eleventh century from a different viewpoint. The Queen Dowager and Once A Queen were the first of my ‘new’ releases for the year.

I then turned my attention to a few of the fantastic women I’d discovered while writing about Lady Elfrida. Lady Eadgifu caught my attention because her life spans almost the entire period between The Lady of Mercia’s Daughter and the beginning of Lady Elfrida’s story. Kingmaker charts many of the events of tenth-century England, but The King’s Daughters took me to both East and West Frankia in the middle of the tenth century. It was a fascinating, if frustrating, experience.

I’ve also taken the opportunity to refresh another tenth-century project Brunanburh.

For NaNoWriMo, I’ve worked on another fantasy project which I hope to release early in 2020 and I’ve ended the year with a return to the world of the Earls of Mercia. Viking King was released on 24th December.

It’s been a busy and fascinating year, and I’m looking forward to 2020 and all the new journeys I’m going to be able to take.

If you want to keep up to date with news of releases and projects, then you can sign up to my email list here.

Book Review – The Wolf of Wessex by Matthew Harffy – historical fiction – highly recommended

Here’s the blurb;

AD 838. Deep in the forests of Wessex, Dunston’s solitary existence is shattered when he stumbles on a mutilated corpse.

Accused of the murder, Dunston must clear his name and keep the dead man’s daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.

Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any hope of victory against the implacable enemies on their trail, he must confront his long-buried past – becoming the man he once was and embracing traits he had promised he would never return to. The Wolf of Wessex must hunt again; honour and duty demand it.

I was lucky enough to get an EARC of Wolf of Wessex from the author.

I’ve read all the previous books by Matthew Harffy set in seventh-century Bernicia, and many will know that I have a few complaints about his grumpy main character. Wolf of Wessex is a breath of fresh air, set two centuries later and with a new main character who doesn’t infuriate me with his grumpiness and general ill-temper all the time.

I’d give Wolf of Wessex a full 5/5, without even having to think about it. The story presses on at a good pace,  there are lots of short, sharp chapters, and a good mystery as well.  The attention to detail with regards to the forest landscape was really good as Dunston is forced to leave his home while still utilising the skills his solitary lifestyle has taught him.

The writing truly flows, the descriptions feel natural, and the pacing is fab. It’s a page-turner that I highly recommend.

Wolf of Wessex is released on 14th November, and is available from here:

Book Review – Starship Alchemon by Christopher Hinz – sci-fi​

Here’s the blurb;

“From the the award-winning author of the cult-80s classic Liege-Killer and The Paratwa Saga, comes Starship Alchemon – a deep-space action opera combined with a threat to all humanity.

Nine explorers aboard a powerful AI vessel, Alchemon, are sent to investigate an “anomalous biosignature” on a distant planet. But they soon realize their mission has gone to hell as deadly freakish incidents threaten their lives. Are these events caused by the tormented psychic mysteriously put aboard at the last minute? Has the crew been targeted by a vengeful corporate psychopath? Are they part of some cruel experiment by the ship’s ruthless owners? Or do their troubles originate with the strange alien lifeform retrieved from the planet? A creature that might possess an intelligence beyond human understanding or may perhaps be the spawn of some terrifying supernatural force… Either way, as their desperation and panic sets in, one thing becomes clear: they’re fighting not only for their own survival, but for the fate of all humanity.”

Starship Alchemon is an entertaining read, and clearly, the author has delighted in all those little details that flesh out a novel to make it seem as ‘realistic’ as possible.

There is a palpable sense of futility for part of the novel that had me reading during the day, rather than at night, in order to get to the end and while the ending was somewhat drawn out, it was also both quite satisfying and a little bit frustrating. That said, there were points that tested my interest and there were a large number of ‘information dumps’ that could possibly have been woven more neatly into the story. The characters could have been more fleshed out, but the backstory of the important ones was interesting and believable.

Overall, an entertaining and intriguing read. Thank you to Netgalley and the publisher for my review copy.

Starship Alchemon is released on 12th November 2019 and is available from here;