Here’s the blurb from the book
“635AD. Anglo-Saxon Britain. A gripping, action-packed historical thriller and third instalment in The Bernicia Chronicles. Perfect for fans of Bernard Cornwell.
Oswald is now King of Northumbria. However, his plans for further alliances and conquests are quickly thrown into disarray when his wedding to a princess of Wessex is interrupted by news of a Pictish uprising.
Rushing north, Oswald leaves Beobrand to escort the young queen to her new home. Their path is fraught with danger and uncertainty, Beobrand must try to unravel secrets and lies if they are to survive.
Meanwhile, old enemies are closing in, seeking brutal revenge. Beobrand will give his blood and blade in service to his king, but will that be enough to avert disaster and save his kith and kin from the evil forces that surround them?”
Blood and Blade by Matthew Harffy is the third book in his Bernicia Chronicles following the exploits of his, quite frankly, bad-tempered warrior, Beobrand. He’s no hero – he’s too self-involved, grumpy and lacks any likeable characteristics, even though the author is at pains to explain this away due to the tragedies that have befallen him in Book 2.
However, these do not excuse the foul natured monster that Beobrand has become, and I did struggle to understand why any man, or woman, would want to spend any time with him or rely on him in his guise as a warrior or a lover. He is, quite simply, lacking in any likeable qualities, without even the spark of any humour to soften his harshness, no matter how often Athelstan tries to recount his exploits in the mead hall and make them appear heroic, it simply does not work for me.
The constant shifts in point of view in chapters is annoying, but this is something that I personally don’t understand or like in any novel so it’s not a particular complaint about this author. I’m always left feeling that if the chapter needs a shift in POV then it’s either not a chapter and needs splitting, or the author needs to approach this part of the novel in a different way – give the voice of the story to a different member of the cast.
The storyline of Blood and Blade is somewhat simplistic, and you do reach a certain part of the novel and know exactly what has to happen before it reaches its end. Nothing unexpected happens to bring the novel to its conclusion. This is somewhat of a shame. I would have liked even the idea of a different ending.
The author is at pains to show society, as he perceives it, at this time, and the insistence on the small details is repetitive, as is the constant recounting of Beobrand’s aches and pains, recovering wounds and new ones that he receives.
I would reiterate, Beobrand is no hero, but neither is he an anti-hero. He’s been thrust into a time in history that is very exciting, and yet it seems that with his constant moaning and complaining, that he has no appreciation of this and is never likely to. For a young man, he often appears to be about 100 years old.
On a final note. I still do not like the way the author treats women of this period. They are either witches, bed companions, or someone else’s bed companions, and they are presented as petty and mean to each other. This might be a novel about a (very) grumpy warrior, but Anglo-Saxon women were and should be, given the place in society that they earned and deserved. Much of this is, obviously, to do with the author’s interpretation of this time period, and I suppose, it is worth remembering that it is a work of fiction and not fact. Still, this is also a shame and I hope, something, that is corrected in later books to allow the author to reach a wider fan base.
Overall, the novel was enjoyable to read and you can buy it here;